It’s true that the poem is about how humans project their metaphysical desires upon the world, but there remain surface events chronicled in time. This often-anthologized poem is a beautiful lyric, yet the lyric elements are positioned within a series of events the poem chronicles. Īt dawn he is still there, invisible, short of breath, mending his net.Īll morning we look for the white face to rise from the lake like a tiny star.Īnd when it does, we lie back in our watery hair and rock. The spider, juiced crystal and Milky Way, drifts on his web through the night skyĪnd looks down, waiting for us to ascend. Here is “Spider Crystal Ascension” in its entirety: Where the contemporary lyric is usually more compressed and often alleged to be more “musical,” today’s narrative often employs equally musical expression while dedicating a greater proportion of lines to external action. We may hear how the king died in addition to what took place in the queen’s life before and after he died. On the other hand, narrative poems do double duty, virtually always rendering the interior life as well as the central story. Forster’s chestnut describing “plot”: “The king died and then the queen died of grief.” In a lyric poem, the queen might reveal her sadnesses, her memories, and her struggles before crossing over. In fact, virtually all lyric poems are enveloped by some degree of plot. Both kinds, however, have always been about conflict inside the individual, and both are subject to plotting. Narrative poetry was once either “epic” or “dramatic” thus, the whole was not easy to memorize. Because lyric poems were shorter, they were also easier to memorize. Lyric poetry took us inside the speaker narrative poetry chronicled how the speaker interacted with the outer world. Narrative poetry was longer and more reportorial. From the time of the Greeks until more recent eras, lyric poetry was commonly compressed and musical. Perhaps this difference may be traced to musicality. For a variety of reasons, in our era lyric poetry is perceived as more intense and, indeed, more serious than narrative poetry. The bias against narrative verse, usually founded on flawed assumptions, did not exist in ancient times. After all, not only are these four books very good-they all employ narrative. I’m afraid it’s not a Christian song, necessarily, but it’s a song I wrote when I visited California in June.After reading recent books of poetry by Patricia Smith, Robert Wrigley, David Kirby, and Cathy Park Hong, one might be surprised to know that even the best of contemporary critics tend to devalue narrative poetry in favor of the lyric. Just making the connection between all of those attributes and characteristics through your song is so Nice going with your song, too! It does remind me a bit of a hymn, and there’s a lot of truth packed into it. This topic was modified 4 years, 5 months ago by Your song is so…beautiful! I love the chorus, most of all this line: Creator, Artist, Author, King. Rugged is the way and rough is the cross įeel free to speak up, point out any flaws or make any suggestions ( or give any praise) you like.įor my Audience of One, all the glory be! Remember that the rewards shall far exceed. If to claim only Christ seems a harsh creed, Yet I must endure all, for naught can replace. I must conquer the tyrant of self within. So please give me a truer and nobler heart. I must serve as a servant, lowly and meek. Yet I must take it up or all life is lost. Heaven’s glory shall never brighten my eye All poetry experts-feel free to critique and encourage. OKAY! (deep breath) I’m going to launch a new poetry thread for those who have written more lyrical poems. If you know anybody would be interested in this, please send them over.) I just tagged a bunch of you (most of you I have previously interacted with on SE ) so there would be a ‘ multitude of counselors’. (If you are not interested in poetry, than ignore the fact that I tagged you.
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